This week, our hosts explore kishōtenketsu, an Asian story structure that appears under different names in China, Korea, Japan, and Vietnam. Unlike the Western three-act structure, it isn’t built around conflict. Instead, it moves through four stages: introduction, development, twist, and conclusion. We dig into how stories like Parasite and The Tatami Galaxy create tension through discovery, contrast, and changing perspective, rather than direct confrontation. And don’t worry, we find time to get delightfully nerdy about poetry, RPGs, Star Wars, and why a “twist” can be less about surprise and more about seeing the story in a new way.Homework:Take something you’ve already written and map it onto a kishōtenketsu structure. See what opportunities emerge when you group the story into introduction, development, twist, and conclusion.Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! Writing RetreatsNewsletterPatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out MasterClass and use my code masterclass.com/EXCUSES for a great deal: https://MasterClass.com* Check out Talkiatry and use my code talkiatry.com/WX for a great deal: https://www.talkiatry.comSupport this podcast at — https://redcircle.com/writing-excuses2130/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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