从春晚小品到《一年一度喜剧大赛》，喜剧到底需不需要上价值？是谁有上价值的需求？本期《三言两语》，听喜剧从业者们（含《一年一度喜剧大赛》闪现编剧）一起探讨《一年一度喜剧大赛》为啥受欢迎~【本期主播】Jump @ 微博 Jump懒得跳 贰叁叁脱口秀厂牌合伙人米 周 《Why for Jazz》主播博 博 @ 微博 宋万博小 何 谐音梗爱好者【本期赞助】卡瓦齿科大口吃，放肆笑，推开焦虑，就来卡瓦。加微信领取听友福利：13003128130【shownotes】03:00 脱5与喜2评分为什么相差甚远06:15 网络上对于那英在两个节目里的评价差异11:25 什么是SKETCH23:50 喜剧大赛好在哪里30:40 喜剧演员对于观众喜好的困惑35:06 编剧没有话语权42:50 演员和编剧在剧本策划环节孰轻孰重45:40 喜剧演员说脱口秀效果会好吗50:45 编剧如何看待一个作品“好笑”和“好哭”的问题53:34 编剧现场改编《黑夜里的脆弱》55:00 原来喜剧的内核是“上价值”56:05 本期播客推荐 话剧《惊梦》开场音乐：Sixties Beach Party收尾音乐：Downtempo Lounge Vibes制作：乔麦设计：云博平台：竹子【互动方式】微博、公众号、抖音、小红书：贰叁叁脱口秀进听友群，添加三言两语小助手：sylyxzs卡瓦齿科021-68222888【洽谈合作】请发邮件至[email protected]
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