美术馆的地下室到底长什么样？美术品的陈列会涉及到哪些问题？亲眼所见的艺术品和照片到底有哪些不一样？在美术馆地下室拍照要注意些什么？本期节目，我们请Mila聊了一聊她在波士顿做Object Viewing的神奇经历，细写一份美术馆地下室手记。感谢收听！如果有任何想对我们说的话，欢迎给我们写信，我们的邮箱📮Mila：[email protected]大绿：[email protected]本篇中涉及到的参考书目📖Orientalism - Edward Said （关于西方对东方异域化想象的最基本的概念）The Lives of Chinese Objects: Buddhism, Imperialism and Display - Louise Tythacott （关于殖民带来的中国佛教美术品的“流浪”历史，以及宗教物件如何在美术馆的空间当中被扭曲意义，或是被重新诠释）The Global Work of Art: World’s Fairs, Biennials, and the Aesthetic of Experience - Caroline A. Jones （关于世博会、双年展的详尽讨论）The Imperial Museums of Meiji Japan - Alice Y. Tseng （关于“陈列”和日本美术馆的详尽读物）京狩野三代 生き残りの物語 - 五十嵐公一 （整理得特别好的一本关于京都狩野派的读物）--Cover Art: Kobayashi Kiyochika 小林清親, Sumida River by Night, Meiji, 1881. Smithsonian Freer and Sackler Galleries片头/片尾：Nemo's Dreamscapes - It's summer 1949, you're reading by the lake
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