Amelia Dimoldenberg

Yeah, I don't want to press the button.

Yeah.

And I think what's what I love about YouTube is that it's very democratic.

You know, you just have to have access to the internet to be able to watch it.

And my audience really likes consuming it there.

And I think it's very difficult to like change the behavior of an audience.

with a show that they already know.

I would love, and I'm trying to work with streamers, but on separate projects that I feel like would work for the platform itself.

You know, I'm developing a TV series and like, for example, and I feel like people love watching TV series on streamers.

And I think that would make sense.

And, you know, who knows, maybe the podcasting will find an audience on streamers, but it might just take a few years.

People are going to have to really think about pressing that button.

Or maybe it will just only work with new podcasts.

That you associate with the Netflix.

Yeah, I honestly think it is maybe something to do with that.

I guess lots of things.

I think the main thing that I've learned is how important it is and how thankful and happy I am that I own my own copyright.

Tell me about that.

When did you make that decision?

When did that come up?