Ana Cláudia Suriani da Silva
speaker
115 appearances
1 recordings
1 series
first heard Jul 2026
last heard 9 Jul
Ana Cláudia Suriani da Silva’s voice in public audio — every appearance, attributed to the second.
Trend
recordings per month · last 12 monthsRecordings per month over the last 12 months — 1 in all, peaking in Jul 2026 with 1.
Appearances
Exactly, yes.
And actually not seeing that a lot that is silenced, for example, Bras Cubas is a slave owner and he barely mentions slaves in his plot.
Right.
So it's again that silence that tells everything.
And that's what more reception, the reception of his novel from the 1950 onwards starts to open the eyes and see that the silence is more important than what is said.
It's a novel that shows how varied his style and prose is.
So the young Machado was exposed to a tsunami of novels.
He read at the same time Stern, Balzac, Dickens, Cervantes, different traditions of novels.
And throughout his career, he experimented with different lines
novel traditions.
So in Don Casmurro, we see this all together.
It's at the same time a sentimental novel.
It's an elegy.
So he misses Capitu.
So he has a sort of hate and love relationship with Capitu and he misses her.
He writes a memoir, which is at the same time an autobiography, but an elegy.
It's also realist.
So there are chapters in which you find very clear and realistic descriptions of the setting, the farm where he grew up, characters like Escobar, his mother, his aunt and the dependent.
Yeah, so Machado was a sort of dependent of this wealthy family that he lived with and supported him.
So dependent is a free person that works and has a very complicated relationship with a wealthy family because it's not an enslaved person and it has no blood ties with the family.
Showing 41–60 of 115 · page 3 of 6
← Previous
Next →