Andy Greenwald

Sure.

That was cool time for us to watch cartoons.

My point isn't even that like,

I don't, the Masters of the Universe thing, even if it's good, there's a cynicism baked in the root of it where like, I don't think there's even, they're not converting a new generation to like follow the story of Eternia.

There wasn't even really a story.

From everything I understand about the movie, it's like,

apologizing for itself as the bit throughout, which is just such loser cul-de-sac culture shit.

Well, that's because, guys, I've always been an Adam, not a He-Man.

Like, I think there's two types of, there are two genders, you know?

So I get it.

But yeah, like, I think we would both want the fresh, young voice in television, but television is a

such a profoundly different beast.

And it's a lot harder.

I mean, television is a assembly line, even at its most prestige or auteur driven, you still need to, unless you're being asked to do something that is radically outside the norm of a series order, you have to conform in ways.

And you have to have, you have to kind of know what you're doing or surround yourself with people who know what they're doing in a way that I think is less

I mean, that exists in movies, obviously, but I think it's less interventionist maybe in movies where a kid has a vision for something and then obviously he has line producers and professionals making it a movie.

But that's different than saying, we will write this and execute it across 10 hours and deliver it in a traditional television.

I think you're right.

I think I'm being too conservative in my vision in that way.

Like there was a moment when