Antonio Pascual-Leone

Right.

So I had a friend who was also became an actor and a scriptwriter.

And that probably didn't help, probably made things worse looking back.

But the last attempt, the rally was to go in the street underneath her balcony of her apartment to call her out.

She comes out on the balcony and I proceed to serenade her with the help of a buddy and

There's singing, a poem might have been read, a big finish, bucket of sand with fireworks in it to end it all.

Oh my gosh.

Yeah, kind of a crash and burn, but very dramatic.

You know, looking back...

You know, it was about the performance.

It wasn't about the relationship.

Right.

And it wasn't about what I needed.

There wasn't a lot of relating, actually.

I mean, that became a turning point, right, where I kind of realized I wasn't attending to to what's happening inside me, which is this, you know, sense of insecurity, sense of what did I really need?

And and and how do I feel about this and what's missing for me?

I'm very glad that it's not on camera.

No.

In fact, this is the only telling of that story.

In fact, I talked to my wingman friend.