Beulah Koale

Yeah, we've got like – so it's a 1950s play and it's written by a writer called Arthur Miller who back in the day was married to – Marilyn Monroe.

Yeah, Marilyn Monroe.

So yeah, he was the man.

Yeah.

Yeah, and he wrote this play about, it's an immigrant story.

It's a Greek tragedy set in an immigrant area in Brooklyn, in Red Hook, Brooklyn, in New York.

And yeah, we're playing Italian-Americans and it's a whole bunch of islanders and four islanders.

And then an Algerian, beautiful Algerian, Hana, and Iraqi man, Arlo Green.

So, yeah, it's pretty, it's hard to describe.

I always say it's a messed up play.

Yeah.

I think I was speaking to you a couple of times there because I used the audience as the neighborhood because you get shamed in front of the whole neighborhood.

And back then, that is big.

Yes.

So, yeah, I used the audience a lot.

And you could just look on their faces, man.

Look on your face there at the end too.

I was like...

Yeah, so it's gripping.

There's nothing on the stage except the chair.