Bill Maher

Well, you know the Shelley Winters story, right? What's that? Shelley Winters had three Oscars, and she was asked to audition. And she walked into the office, and she put her Oscars down on the guy's desk and said, maybe you don't know my work. That's good. So what are you writing now?

What are you writing now?

What are you writing now?

What are you writing now?

Who was the one who wrote all those French mysteries and it wasn't really the person's name?

Who was the one who wrote all those French mysteries and it wasn't really the person's name?

Who was the one who wrote all those French mysteries and it wasn't really the person's name?

Simenon. George Simenon. Yeah. Yes. Yeah, it's a way to be more prolific. I mean, you're so prolific as it is, but yeah, I guess you could write other things. Or it could be like the front. It could be like the blacklist era. That's right. Because you're blacklisted. Exactly so. Of course, your style is very often distinctive. But somebody could be like, Now, as long as they have the cover.

Simenon. George Simenon. Yeah. Yes. Yeah, it's a way to be more prolific. I mean, you're so prolific as it is, but yeah, I guess you could write other things. Or it could be like the front. It could be like the blacklist era. That's right. Because you're blacklisted. Exactly so. Of course, your style is very often distinctive. But somebody could be like, Now, as long as they have the cover.

Simenon. George Simenon. Yeah. Yes. Yeah, it's a way to be more prolific. I mean, you're so prolific as it is, but yeah, I guess you could write other things. Or it could be like the front. It could be like the blacklist era. That's right. Because you're blacklisted. Exactly so. Of course, your style is very often distinctive. But somebody could be like, Now, as long as they have the cover.

But I think that's going to change. I do. What about overseas? I would think you would have like a Woody Allen kind of thing, a Jerry Lewis thing like overseas, like they would adore you in ways that this country sometimes is too provincial.

But I think that's going to change. I do. What about overseas? I would think you would have like a Woody Allen kind of thing, a Jerry Lewis thing like overseas, like they would adore you in ways that this country sometimes is too provincial.

But I think that's going to change. I do. What about overseas? I would think you would have like a Woody Allen kind of thing, a Jerry Lewis thing like overseas, like they would adore you in ways that this country sometimes is too provincial.

And do you know what that's about, or is that one where you— No, I wrote—that's all written already. I know, but you said before you don't always know what it's about.

And do you know what that's about, or is that one where you— No, I wrote—that's all written already. I know, but you said before you don't always know what it's about.

And do you know what that's about, or is that one where you— No, I wrote—that's all written already. I know, but you said before you don't always know what it's about.

It is, I mean, you could easily write a series of books on how the downfall of education is the source of all our problems in this country.

It is, I mean, you could easily write a series of books on how the downfall of education is the source of all our problems in this country.

It is, I mean, you could easily write a series of books on how the downfall of education is the source of all our problems in this country.

Babies don't have cell phones.