Brandon Baum

And I kind of feel like I live in this middle camp between these two things.

I'm somewhere down the middle.

I feel like there's less of us out there.

I feel like everyone's either like die hard.

This is the final, this is the final feat.

And that this is the end of creativity after this moment.

And then there's another camp people are like, no, no, no, no form of work created with AI can be real art.

And like, I'm like, cool.

I'm somewhere between those two things.

I think both two things can be true at the same time.

Now, I think the reason your question is quite hard of like, okay, what's my workflow in a post AI world is so hard because there are so many ways to execute things now.

There are so many ways to get from A to Z. And honestly, every week our pipeline is changing.

And I guarantee you, if I go around, I've got an incredible team of artists in the studio who are all incredibly talented.

I guarantee if I went around the room and asked each one of them, they'd each have a different answer that they'd give you.

So I guess...

Where I'll go is some sort of maybe rough amalgamation between all of those different ideas.

I think at its core basis, my passion around AI kind of boils into two camps.

One is this diversifying, opening opportunity for creatives and opening the door...

to people that didn't get access to go to film schools and get access to shooting on nice cinema cameras and big sets, et cetera, and still being able to have tools that teaches them how to become a filmmaker.

I think that's really special.