Bryan Greene

Yeah.

when they were playing Wembley.

And I always thought that was like the Mount Everest of crowds.

Like, holy shit, you play Wembley, it's like, you know, you're out there.

But then I watched the video on Bonnie Blue fucking 157 men.

A thousand and 57.

That might be the Mount Everest of crowd work right there.

I don't know if it does either.

That's a great question.

So there's a comics here, Nate Bargatze and some other, you know, Tom Segura and others who go and they sell out.

I'm in Atlanta.

They'll go and sell out 27,000, 30,000 seat comics.

rooms and there's when i've talked to other comics they say who have played bigger places they say it's different it doesn't it doesn't work the same when you have you know 15 20 000 people in front of you than it does when you have 200 people in front of you and a couple of them have admitted i kind of like the room where there's 200 because i'm able to see i'm able to push the energy one way or the other with a motion or a look or a stare

I'm doing what?

For who?

But in the UK, you're huge.

I mean, does it, but for you is which, which experience is better or is it just different?

You just have to work the crowds differently.

Very interesting.

You have to think about the minutia of that as you're walking into the room.