Chris Klimek

All right.

There we go.

Oh, boy, this is tough because I want to love this movie so deeply.

And, you know, it just it just won't let me, Glenn.

This is a movie that continually faints towards something less conventional, weirder, more original, and then keeps yanking the wheel back in the direction of the most predictable direction.

resolution to any scenario it establishes the big dumb gunfight i was initially kind of hooked because i kind of you know i mean i've written about all the john wick movies and nobody and and colstad seems to do one thing and here it looks like he's actually doing something else this movie looks like it's going to be a little more high noon a little more fargo you know than john wick or the uh the middle-aged guy who has a a violent past and has been pushed too far

And then, you know, again, it just at every turn it keeps on disappointing me.

It becomes this sort of one man against the world mismatch that we've seen so many times.

I am shocked at how many cliches, how many appendages from other movies you can suture together in the space of 90 minutes.

If this movie were any more derivative, ultimately it would be called The Normal and The Furious.

So I am disappointed.

Guys, I'm disappointed.

Hold me.

Hold me.

Right, Ronald?

Are you going to hold him?

Are you disappointed too?

They should have actually gotten Bruce Campbell to ADR in the quips.

Right.

So Odenkirk actually contributed to the story here.