Claire Keegan

And thank you to all your readers.

And happy weekend to everybody.

Bye, Max.

Say goodbye.

Bye.

I think sadness actually makes you think about what life is like for others. I think being upset is really important so you can think about what others go through.

I think sadness actually makes you think about what life is like for others. I think being upset is really important so you can think about what others go through.

I think sadness actually makes you think about what life is like for others. I think being upset is really important so you can think about what others go through.

Thank you for having me. It's a pleasure.

Thank you for having me. It's a pleasure.

Thank you for having me. It's a pleasure.

No, he's a complete invention, not based on anyone I know. And I didn't even have a conversation with a cold man before or during or after writing this book. I just made him up. But I think the imagination, I think language is older and richer than we are. And when you start playing around with it, it gives you sometimes what you're looking for.

No, he's a complete invention, not based on anyone I know. And I didn't even have a conversation with a cold man before or during or after writing this book. I just made him up. But I think the imagination, I think language is older and richer than we are. And when you start playing around with it, it gives you sometimes what you're looking for.

No, he's a complete invention, not based on anyone I know. And I didn't even have a conversation with a cold man before or during or after writing this book. I just made him up. But I think the imagination, I think language is older and richer than we are. And when you start playing around with it, it gives you sometimes what you're looking for.

I started writing a short story about a boy who goes with his father to a Christian brother's boarding school to deliver a load of coal. And the boy, when he opens the coal house door, finds another boy just about his own age, locked inside. And his father bids him to just come on and lock the door. And I was really interested in what you would consider your father to be. If he told you that...

I started writing a short story about a boy who goes with his father to a Christian brother's boarding school to deliver a load of coal. And the boy, when he opens the coal house door, finds another boy just about his own age, locked inside. And his father bids him to just come on and lock the door. And I was really interested in what you would consider your father to be. If he told you that...

I started writing a short story about a boy who goes with his father to a Christian brother's boarding school to deliver a load of coal. And the boy, when he opens the coal house door, finds another boy just about his own age, locked inside. And his father bids him to just come on and lock the door. And I was really interested in what you would consider your father to be. If he told you that...

Yeah, if he'll do that to a boy just like you, and then why wouldn't he do it to you? And is it all right that he won't do it to you and he'll do it to somebody else? And then I thought, well, what am I going to do with that? I was interested in that, but what am I going to do with that? Because the child always is living at the mercy of who's minding him.

Yeah, if he'll do that to a boy just like you, and then why wouldn't he do it to you? And is it all right that he won't do it to you and he'll do it to somebody else? And then I thought, well, what am I going to do with that? I was interested in that, but what am I going to do with that? Because the child always is living at the mercy of who's minding him.

Yeah, if he'll do that to a boy just like you, and then why wouldn't he do it to you? And is it all right that he won't do it to you and he'll do it to somebody else? And then I thought, well, what am I going to do with that? I was interested in that, but what am I going to do with that? Because the child always is living at the mercy of who's minding him.