Dallas Jenkins

And you say things like, oh, sorry, I'm rambling. Yeah, yeah, that's right.

And you say things like, oh, sorry, I'm rambling. Yeah, yeah, that's right.

Yeah, now the audience is above you.

Yeah, now the audience is above you.

Yeah, now the audience is above you.

You've got a guy who is narcissistic in a field that demands a bit of narcissism in order to succeed, in one moment having all that taken away from him.

You've got a guy who is narcissistic in a field that demands a bit of narcissism in order to succeed, in one moment having all that taken away from him.

You've got a guy who is narcissistic in a field that demands a bit of narcissism in order to succeed, in one moment having all that taken away from him.

for the next few months, I'm like, well, what's my future? Now, I happen to be, we won't get into this, but I happen to be working at a church in Illinois at this time. So I had made certain movies, but they had hired me to come make movies within the context of this large church in Illinois. And so one of the things that I had done previously was,

for the next few months, I'm like, well, what's my future? Now, I happen to be, we won't get into this, but I happen to be working at a church in Illinois at this time. So I had made certain movies, but they had hired me to come make movies within the context of this large church in Illinois. And so one of the things that I had done previously was,

for the next few months, I'm like, well, what's my future? Now, I happen to be, we won't get into this, but I happen to be working at a church in Illinois at this time. So I had made certain movies, but they had hired me to come make movies within the context of this large church in Illinois. And so one of the things that I had done previously was,

was for Good Friday services or for Christmas services at this huge church of 12,000 people, which had huge Good Friday services, eight of them over the course of two days for 2,000 people per service. My task was to make these short films or vignettes about Jesus. And so going back as far as, you know, 2012, I was doing these little—

was for Good Friday services or for Christmas services at this huge church of 12,000 people, which had huge Good Friday services, eight of them over the course of two days for 2,000 people per service. My task was to make these short films or vignettes about Jesus. And so going back as far as, you know, 2012, I was doing these little—

was for Good Friday services or for Christmas services at this huge church of 12,000 people, which had huge Good Friday services, eight of them over the course of two days for 2,000 people per service. My task was to make these short films or vignettes about Jesus. And so going back as far as, you know, 2012, I was doing these little—

like it's where I met Jonathan Rumi, who plays Jesus in The Chosen, is was I was doing a short film about the crucifixion from the perspective of the two thieves on the cross. And so this notion of telling the stories that I've heard hundreds of times, but from different perspectives, had already proven itself over the last five years to be an extraordinary tool in unlocking people's

like it's where I met Jonathan Rumi, who plays Jesus in The Chosen, is was I was doing a short film about the crucifixion from the perspective of the two thieves on the cross. And so this notion of telling the stories that I've heard hundreds of times, but from different perspectives, had already proven itself over the last five years to be an extraordinary tool in unlocking people's

like it's where I met Jonathan Rumi, who plays Jesus in The Chosen, is was I was doing a short film about the crucifixion from the perspective of the two thieves on the cross. And so this notion of telling the stories that I've heard hundreds of times, but from different perspectives, had already proven itself over the last five years to be an extraordinary tool in unlocking people's

emotional connection to the story.

emotional connection to the story.

emotional connection to the story.