David Rosenthal

He found out that the company that had won the past few years only paid $2,500 for the rights.

So he's like, well, I can bid $5,000.

He wins the auction.

And Roselle's like, uh, who is this guy?

Like, with no experience, what's happening here?

So Roselle goes to visit him and Ed pitches Pete on doing something completely revolutionary for the 1962 championship.

He wants to make it like an actual movie, not a hokey sports movie, a real movie with montages, with cuts, with professional Hollywood quality cinematography.

Slow motion, voiceover.

Yeah.

Everything, sideline cameras, really a passion project to make this an incredible piece of content.

Roselle's kind of like...

Well, I mean, that sounds great.

I don't know if you can do it, but it's like, what have I got to lose?

So he lets Sable go with it.

And the movie he makes totally revolutionizes sports video content.

I think this is another thing that we just take for granted today.

It's like air and water that...

sports content, sports video is not just like a fixed camera at the 50-yard line that pans back and forth.

Yeah, well, and that's just the video aspect to it.

But there's also something that Sable gets intuitively.