Dr. Peter Weller

So, anyway, you guys got to go on your... I don't know where I was going with that, but that's okay. I love it.

So, anyway, you guys got to go on your... I don't know where I was going with that, but that's okay. I love it.

Ah, on the moon. No. I'm doing this art. I'm doing this art. There's a great guy named Walter Liedtke who has passed away. He was in a train wreck going to Scarsdale in New York, but he's one of the heads of European paintings with Keith Christensen and Andrew Bayer at the Met. So some friends, Maria Canelli of the Fashion Institute, And later on, the American Folk Museum.

Ah, on the moon. No. I'm doing this art. I'm doing this art. There's a great guy named Walter Liedtke who has passed away. He was in a train wreck going to Scarsdale in New York, but he's one of the heads of European paintings with Keith Christensen and Andrew Bayer at the Met. So some friends, Maria Canelli of the Fashion Institute, And later on, the American Folk Museum.

Ah, on the moon. No. I'm doing this art. I'm doing this art. There's a great guy named Walter Liedtke who has passed away. He was in a train wreck going to Scarsdale in New York, but he's one of the heads of European paintings with Keith Christensen and Andrew Bayer at the Met. So some friends, Maria Canelli of the Fashion Institute, And later on, the American Folk Museum.

I met these friends in Italy. One of the things, I'm doing a movie for Dino De Laurentiis in 1987, 88. And I don't know anything. This is before I even know about Johto. And Maria, I pay her. at the American Academy and meet her to take me to Florence to walk me around these Jesus paintings, man. And by the time we're done, she's smart, but I'm, I have no interest in a man.

I met these friends in Italy. One of the things, I'm doing a movie for Dino De Laurentiis in 1987, 88. And I don't know anything. This is before I even know about Johto. And Maria, I pay her. at the American Academy and meet her to take me to Florence to walk me around these Jesus paintings, man. And by the time we're done, she's smart, but I'm, I have no interest in a man.

I met these friends in Italy. One of the things, I'm doing a movie for Dino De Laurentiis in 1987, 88. And I don't know anything. This is before I even know about Johto. And Maria, I pay her. at the American Academy and meet her to take me to Florence to walk me around these Jesus paintings, man. And by the time we're done, she's smart, but I'm, I have no interest in a man.

I have no interest in Jesus, Moses throwing manna from the sky. Who cares? So that's when Giotto comes up four years later. I've got to go back. So I call up Maria Canelli. I say, hey, sorry, but would you turn me on? I'm kind of back into it. And then she takes me to the Met, and I meet Walter Lieke and so forth. And I go, look, we're going to do a deep dive on this.

I have no interest in Jesus, Moses throwing manna from the sky. Who cares? So that's when Giotto comes up four years later. I've got to go back. So I call up Maria Canelli. I say, hey, sorry, but would you turn me on? I'm kind of back into it. And then she takes me to the Met, and I meet Walter Lieke and so forth. And I go, look, we're going to do a deep dive on this.

I have no interest in Jesus, Moses throwing manna from the sky. Who cares? So that's when Giotto comes up four years later. I've got to go back. So I call up Maria Canelli. I say, hey, sorry, but would you turn me on? I'm kind of back into it. And then she takes me to the Met, and I meet Walter Lieke and so forth. And I go, look, we're going to do a deep dive on this.

And they said, go to Syracuse. Take a 10-week course. They have a beautiful 10-week course. They have more investment programs abroad than anybody else. I said, okay. So I take it with a great guy who's a mentor to me, Gary Radke. And you go around Italy, and I'm with 12 19-year-olds. I'm 53, man, and we're 12, 19-year-olds. And they're fun. One boy and the rest girls. And they're fun, man.

And they said, go to Syracuse. Take a 10-week course. They have a beautiful 10-week course. They have more investment programs abroad than anybody else. I said, okay. So I take it with a great guy who's a mentor to me, Gary Radke. And you go around Italy, and I'm with 12 19-year-olds. I'm 53, man, and we're 12, 19-year-olds. And they're fun. One boy and the rest girls. And they're fun, man.

And they said, go to Syracuse. Take a 10-week course. They have a beautiful 10-week course. They have more investment programs abroad than anybody else. I said, okay. So I take it with a great guy who's a mentor to me, Gary Radke. And you go around Italy, and I'm with 12 19-year-olds. I'm 53, man, and we're 12, 19-year-olds. And they're fun. One boy and the rest girls. And they're fun, man.

I'm sure. Because about a third of them are there just spending old man's Amex, and about a third of them are there looking at their art. But they're just fun. They're not going to be as ruthless as the people I am going to study with. four 23-year-old girls, because what happens out of that is Radke invites me to do this very special program at Syracuse in Florence.

I'm sure. Because about a third of them are there just spending old man's Amex, and about a third of them are there looking at their art. But they're just fun. They're not going to be as ruthless as the people I am going to study with. four 23-year-old girls, because what happens out of that is Radke invites me to do this very special program at Syracuse in Florence.

I'm sure. Because about a third of them are there just spending old man's Amex, and about a third of them are there looking at their art. But they're just fun. They're not going to be as ruthless as the people I am going to study with. four 23-year-old girls, because what happens out of that is Radke invites me to do this very special program at Syracuse in Florence.

We basically do the whole thing in Florence.

We basically do the whole thing in Florence.

We basically do the whole thing in Florence.