Dr. Peter Weller

You do a semester in Syracuse, then you go and you do a year in Florence. And you've got to teach, you've got to be a TA, you've got to be in front of the art, you've got to write, you've got to do calligraphy, you've got to study the documents, and you've got to do German, English, Italian, because essentially we've got to remember one of the great anomalies about Renaissance art is

You do a semester in Syracuse, then you go and you do a year in Florence. And you've got to teach, you've got to be a TA, you've got to be in front of the art, you've got to write, you've got to do calligraphy, you've got to study the documents, and you've got to do German, English, Italian, because essentially we've got to remember one of the great anomalies about Renaissance art is

You do a semester in Syracuse, then you go and you do a year in Florence. And you've got to teach, you've got to be a TA, you've got to be in front of the art, you've got to write, you've got to do calligraphy, you've got to study the documents, and you've got to do German, English, Italian, because essentially we've got to remember one of the great anomalies about Renaissance art is

It's Catholic art. It's Catholic. And indeed, there's some Old Testament or Tanakh, which is the Jewish Bible iconography. But it's essentially Catholic art. The people who revive it, because it's considered naive in the 20th century. This is the reason why I didn't want to go back to it.

It's Catholic art. It's Catholic. And indeed, there's some Old Testament or Tanakh, which is the Jewish Bible iconography. But it's essentially Catholic art. The people who revive it, because it's considered naive in the 20th century. This is the reason why I didn't want to go back to it.

It's Catholic art. It's Catholic. And indeed, there's some Old Testament or Tanakh, which is the Jewish Bible iconography. But it's essentially Catholic art. The people who revive it, because it's considered naive in the 20th century. This is the reason why I didn't want to go back to it.

Because in the 20th century, you got Cezanne and edging, and you got Cubism, and you got Juan Gris, and you got these guys who are like flying, Klimpton, flying off the wall, right? So this Catholic...

Because in the 20th century, you got Cezanne and edging, and you got Cubism, and you got Juan Gris, and you got these guys who are like flying, Klimpton, flying off the wall, right? So this Catholic...

Because in the 20th century, you got Cezanne and edging, and you got Cubism, and you got Juan Gris, and you got these guys who are like flying, Klimpton, flying off the wall, right? So this Catholic...

biblical art is naive stuff so the people that reinvented the people go back to the docks and start go wow this is the first time everybody took documents of this thing talking about weird history are jews the great jewish scholars of the turn of the century in the cafe society centers intellectual centers of the world i'm talking about you know warsaw i'm talking about prague i'm talking about uh uh

biblical art is naive stuff so the people that reinvented the people go back to the docks and start go wow this is the first time everybody took documents of this thing talking about weird history are jews the great jewish scholars of the turn of the century in the cafe society centers intellectual centers of the world i'm talking about you know warsaw i'm talking about prague i'm talking about uh uh

biblical art is naive stuff so the people that reinvented the people go back to the docks and start go wow this is the first time everybody took documents of this thing talking about weird history are jews the great jewish scholars of the turn of the century in the cafe society centers intellectual centers of the world i'm talking about you know warsaw i'm talking about prague i'm talking about uh uh

krakow vienna budapest where berlin this is the explosion of intelligence coming you know this is uh and so and then of course you know the weimar republic falls and the and fascism takes over and everybody runs but these scholars i'm talking about i'm not talking about one or two i'm talking it doesn't matter whether it's uh Panofsky, Steinberg, Witkover, Krautheimer, on and on they go.

krakow vienna budapest where berlin this is the explosion of intelligence coming you know this is uh and so and then of course you know the weimar republic falls and the and fascism takes over and everybody runs but these scholars i'm talking about i'm not talking about one or two i'm talking it doesn't matter whether it's uh Panofsky, Steinberg, Witkover, Krautheimer, on and on they go.

krakow vienna budapest where berlin this is the explosion of intelligence coming you know this is uh and so and then of course you know the weimar republic falls and the and fascism takes over and everybody runs but these scholars i'm talking about i'm not talking about one or two i'm talking it doesn't matter whether it's uh Panofsky, Steinberg, Witkover, Krautheimer, on and on they go.

And they go to England and they go to NYU as a large Jewish endowment. But those are the scholars that resurrect Renaissance art.

And they go to England and they go to NYU as a large Jewish endowment. But those are the scholars that resurrect Renaissance art.

And they go to England and they go to NYU as a large Jewish endowment. But those are the scholars that resurrect Renaissance art.

And somebody's going to do a dissertation on that, you know, that the salvation of – and there's a whole lot of, like, gentrified Christians out there going, that's not true. Yes, it is true.

And somebody's going to do a dissertation on that, you know, that the salvation of – and there's a whole lot of, like, gentrified Christians out there going, that's not true. Yes, it is true.