Ethan Sweetland-May

The window we need to close is on the opposite side of the attic.

I have to squeeze through this gap in the wall they've put and I've got the flashlight and there's all this hanging black plastic blocking from getting there.

So I have to like half crawl, half crouch through the claustrophobic dark around the edge of the attic to get to the window.

I am hating this and I like,

I get there, and I close the window, and I am starting to make my way back.

I'm freaking out a little bit, but I'm also starting to feel a little bit better because nothing super weird has happened, and this is over, and we can get out of the attic, right?

And I get back to the gap, and I hand Evelyn the flashlight, and I'm climbing through, and we are like, I see the ladder.

We are free and clear, and we are almost there when we hear the unmistakable sound of a hinge turning.

There are no doors in the attic.

And we turn, and a wall has opened.

It is not a wall.

It is a door.

And Aberlyn shines the flashlight through this open doorway, and there is a tunnel of black plastic leading to the other side of the attic, and it takes a turn into the dark, and you can't see around it.

And I am frozen.

I cannot move.

I am not thinking.

And while I am frozen and not thinking, I realize Aberlyn is walking into the tunnel.

And like every stupid guy who's in love with a hot girl in a horror movie, I just start following her without thinking about what's happening.

And we get to the end of the tunnel and we turn and we are standing in this room all made of black plastic.

And the first thing her flashlight falls on is this low table made of plywood and two by fours.