Gretchen Felker-Martin

That's just another thing I really love about Yorgos Lanthimos is that he's just really unashamedly horny.

And as a freak, I appreciate that.

And as a freak, I appreciate that.

And as a freak, I appreciate that.

It is. Substance is here. The substance is, in fact, my number five pick.

It is. Substance is here. The substance is, in fact, my number five pick.

It is. Substance is here. The substance is, in fact, my number five pick.

Fucking love this movie so much, Gretchen.

Fucking love this movie so much, Gretchen.

Fucking love this movie so much, Gretchen.

I had such a good, listen, it does, you know, like what are they trying to say with her eating all that food and stuff? Right. What does that mean? Who cares? Who cares? A great movie can have one nonsense failure and the substance is great. It is so mean. It is so dumb. I love it.

I had such a good, listen, it does, you know, like what are they trying to say with her eating all that food and stuff? Right. What does that mean? Who cares? Who cares? A great movie can have one nonsense failure and the substance is great. It is so mean. It is so dumb. I love it.

I had such a good, listen, it does, you know, like what are they trying to say with her eating all that food and stuff? Right. What does that mean? Who cares? Who cares? A great movie can have one nonsense failure and the substance is great. It is so mean. It is so dumb. I love it.

The beginning, I was a little... I was a little hesitant getting in. And then we got to the Margaret Qualley scenes and immediately the director just starts treating her like she's a living blow up doll with like no humanity, no interiority. And I started to see what they were doing. And I was like, Jesus Christ, this is great. These people are totally empty and dead. There's nothing.

The beginning, I was a little... I was a little hesitant getting in. And then we got to the Margaret Qualley scenes and immediately the director just starts treating her like she's a living blow up doll with like no humanity, no interiority. And I started to see what they were doing. And I was like, Jesus Christ, this is great. These people are totally empty and dead. There's nothing.

The beginning, I was a little... I was a little hesitant getting in. And then we got to the Margaret Qualley scenes and immediately the director just starts treating her like she's a living blow up doll with like no humanity, no interiority. And I started to see what they were doing. And I was like, Jesus Christ, this is great. These people are totally empty and dead. There's nothing.

You know who really blew me away, though, was Dennis Quaid. Ugh, that fucking shrimp.

You know who really blew me away, though, was Dennis Quaid. Ugh, that fucking shrimp.

You know who really blew me away, though, was Dennis Quaid. Ugh, that fucking shrimp.

Just the most revolting performance I've ever seen.