Jessika Gossl
speaker
1,455 appearances
4 recordings
1 series
first heard Jun 2026
last heard 10 Sep
Jessika Gossl’s voice in public audio — every appearance, attributed to the second.
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recordings per month · last 12 monthsRecordings per month over the last 12 months — 4 in all, peaking in Sep 2026 with 1.
Appearances
Monet and Renoir focused on leisure scenes, painting the upper and middle classes in lush gardens, by lakes or on boats.
The female Impressionists were often not afforded the perks of their male peers.
Upper-class women were unable to access certain public spaces.
They couldn't indulge in life drawing or go out in public without a chaperone.
Subsequently, the female impressionists were confined to painting domestic scenes in and around the home.
The women's paintings were also critiqued differently.
Berta Morizzo's works were labeled as femininely charming by male art critics.
They would use words like efflore, meaning to brush against and touch lightly to describe her art.
She became frustrated and once said, I don't think there has ever been a man who treated a woman as an equal.
And that's all I would have asked for, for I know I am worth as much as they.
In the years that followed, the Impressionists continued to host their own exhibitions, a total of eight between 1874 and 1886.
The second exhibition opened in 1876, two years after the first.
This time, it featured around 20 artists, but included more than 250 works in total.
One work that was exhibited was Gustave Caillebotte's thought-provoking canvas, The Floor Scrapers.
It depicted three men planing the floor of a Paris apartment.
The painting was distinctive for its realism and its perspective of the urban environment.
It was traditional in its composition, but the Academy had rejected it a year earlier, calling it vulgar.
After this insult, Caillebotte had decided to join the Impressionists, a move that would benefit their cause greatly.
The artist had inherited significant wealth, and this allowed him to purchase paintings from the other Impressionists, many of whom were living in poverty.
He paid for Monet's studio and purchased works from him, Renoir and Pissarro.
Showing 1201–1220 of 1,455 · page 61 of 73
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