Jessika Gossl
speaker
1,455 appearances
4 recordings
1 series
first heard Jun 2026
last heard 10 Sep
Jessika Gossl’s voice in public audio — every appearance, attributed to the second.
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recordings per month · last 12 monthsRecordings per month over the last 12 months — 4 in all, peaking in Sep 2026 with 1.
Appearances
Caillebotte also headed up the next exhibition, held in 1877, an event that saw the emergence of some of Cézanne's fine landscape paintings.
Monet included his paintings of Saint-Lazare train station, and Renoir debuted his La Balle du Moulin de la Galette.
This would go on to become one of his most celebrated pieces.
Renoir often used to frequent the dance halls, garden parties, and theaters of Paris, and he became fascinated by the characters he would meet there.
He often captured the figures on canvas with this vivid color palette, fluid brushstrokes, and dappled refractions of light.
He once said, to my mind, a picture should be something pleasant, cheerful, and pretty.
Yes, pretty.
There are too many unpleasant things in life as it is, without creating still more of them.
In the 1879 exhibition, the American Impressionist painter, Mary Cassatt, participated for the first time.
Cezanne, Renoir, Morisot, and Sisley didn't display any new works.
Only 16 artists exhibited, but the event was gaining traction, this year bringing in over 15,000 visitors.
Although this was a positive step, many Europeans were still skeptical about Impressionism.
Paul Duraruel, the art dealer and early supporter of the group, decided to ship nearly 300 of their works to America to feature in an 1886 exhibition.
The Americans were known to be more open-minded to different art styles, and their assessment of the Impressionist work was overwhelmingly positive.
Duraruel capitalized on the growing popularity, later opening a gallery on Fifth Avenue to add further exclusivity to the paintings.
He said, the American public does not laugh, it buys.
And thanks to him, after just two exhibitions in America and seeing the popularity of the works rise, the French began to follow suit.
The final Impressionist exhibition in Paris took place in 1886, and it was unlike the others that came before.
Neo-Impressionism was emerging, courtesy of artists like Paul Signac and Georges Seurat.
This essentially marked the beginning of the post-Impressionist era,
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