Jojo Moyes

from Sergeant Pepper.

Wow.

So, you know, I was a cleaner there for a while and I would just sort of pot around and, you know, you'd be confronted by these extraordinary things.

And I think you take on some of it by osmosis.

I didn't ever want to be a visual artist, but I think there's definitely something about being around all that creativity that fed in.

But I think the most...

important thing I saw with them was just work.

You copy what you know, and they were always working.

So I just thought that's how you exist in this world.

You work.

And I grew up in the 70s and 80s at a time when you could still rely on working hard to get you somewhere.

I think it's much harder for young people now.

But yeah, I just, I loved meeting all the people that came through.

I remember meeting some kind of amazing artists.

I

I watched the people that my mum worked with creating amazing things.

My mum's partner, who she went on to marry, was working with Stanley Kubrick on doing on-set work for 2001.

So there was pictures of, you know, Mr. Kubrick on set.

So everywhere I looked, there was something interesting going on.

Yeah.