Kerry Godliman

So they put me in a nice car and loads of wires, like all the charging bits.

Yeah, I should have done that.

I'm going to do that next time.

No, no, plugged in, put my headphones on, plugged in.

And what did you listen to?

Now, this is very meta.

I listened to, now I'm going to sound really weird.

I listened to an audio recording of a work in progress gig that I did the night before.

Yeah, this is fine.

Fair enough.

It is horrible listening to your voice back.

But actually, I'd had a gig in Guildford the night before that was a bit more, let's call it subdued.

And there was a bit of value in it because the audience weren't, they weren't hating it, but they weren't going bananas for it.

And it forced me to work a bit harder.

And when I listened back to it, I was really like, ah, I could see the show.

It had a lot of clarity to it.

Yes, yes.

So I was listening back to the show because they weren't a giddy audience that were just happy to be out of the house.

They were like, well, we'll see.

And it forced me to kind of properly understand what the show is and all the mechanics of it.