Kyle Mooney

Well, the plan was we wanted to see how it played. We were like, we've got this video. It probably can't air, but we'd love to put it up in front of the audience. Or at least that's what we said to Lauren, right? And we were like, and maybe he'll be like, it played really great and I will air it. But we were like, if they say no way, we'll understand why.

Well, the plan was we wanted to see how it played. We were like, we've got this video. It probably can't air, but we'd love to put it up in front of the audience. Or at least that's what we said to Lauren, right? And we were like, and maybe he'll be like, it played really great and I will air it. But we were like, if they say no way, we'll understand why.

Well, the plan was we wanted to see how it played. We were like, we've got this video. It probably can't air, but we'd love to put it up in front of the audience. Or at least that's what we said to Lauren, right? And we were like, and maybe he'll be like, it played really great and I will air it. But we were like, if they say no way, we'll understand why.

So we did it at Dress, and he was like, I want to air it because it played well. And then Jeff Zucker came down to watch it, and he ultimately made the call, right?

So we did it at Dress, and he was like, I want to air it because it played well. And then Jeff Zucker came down to watch it, and he ultimately made the call, right?

So we did it at Dress, and he was like, I want to air it because it played well. And then Jeff Zucker came down to watch it, and he ultimately made the call, right?

That's how I remember it, yeah.

That's how I remember it, yeah.

That's how I remember it, yeah.

Right, something like that.

Right, something like that.

Right, something like that.

Yeah, and we shot it in New York. I mean, we should talk a little bit about the production because it was unprecedented for us at that time, which Keith already mentioned we did it on record label money, but because we did it that way- We had a lot of time to plan and there was like an outside DP who came in and it just... We were going much bigger than we had gone on any other video before.

Yeah, and we shot it in New York. I mean, we should talk a little bit about the production because it was unprecedented for us at that time, which Keith already mentioned we did it on record label money, but because we did it that way- We had a lot of time to plan and there was like an outside DP who came in and it just... We were going much bigger than we had gone on any other video before.

Yeah, and we shot it in New York. I mean, we should talk a little bit about the production because it was unprecedented for us at that time, which Keith already mentioned we did it on record label money, but because we did it that way- We had a lot of time to plan and there was like an outside DP who came in and it just... We were going much bigger than we had gone on any other video before.

And we like rented out a nightclub and had dope lasers and like just treated it like it was for MTV instead of something we were throwing together in 48 hours and had long lead time, had a long time to edit all of the things you would want in the real world.

And we like rented out a nightclub and had dope lasers and like just treated it like it was for MTV instead of something we were throwing together in 48 hours and had long lead time, had a long time to edit all of the things you would want in the real world.

And we like rented out a nightclub and had dope lasers and like just treated it like it was for MTV instead of something we were throwing together in 48 hours and had long lead time, had a long time to edit all of the things you would want in the real world.

I feel like that's every music video though.

I feel like that's every music video though.