Maggie Hinders

And each time I did something, and I mean, I've done the survey and I started on the William Pohida workbook material.

But each time I took a step like that, I had a better sense of where I was.

And what the next thing would be to do.

So it's so organizing and orderly.

You know, I have a brain that really thinks in terms of a web.

So it just doesn't pull out a thread easily and start following something.

So to have that all laid out was just priceless for me.

It just made the difference between I can't do this and I can do this.

Sure.

When I got the response, I looked through all of the levels of a person in the art world.

And I'm in an emerging kind of situation.

But as I looked at the more proficient and the mastery levels, I thought, look at that.

Now, those are those people's lives.

Do I want that?

If I got it, would I be happy with it?

So it was really interesting to kind of see that outline of how life in the art world

works.

It just gave me an idea of what the end result of the work that I'm doing now might be.

And I got to understand a little bit more about that because I just assumed I would be doing what I'm doing with a little more money and more time at showers.

That's not necessarily how it is.