Mark Sutton
speaker
695 appearances
4 recordings
1 series
first heard Oct 2018
last heard Jul 2020
Mark Sutton’s voice in public audio — every appearance, attributed to the second.
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Appearances
And so he's always dropping a needle onto a bit of immaculate vinyl and letting it soar out over the valley.
He used to run a jazz club, didn't he, before he began writing books, I think.
Yeah.
Well, I haven't read the Bird Chronicle one and so maybe I'm suffering from first reader syndrome there.
But I loved the way that a couple of pages in I was like, okay, that was really wild, that dream sequence.
On reflection, I think the prologue actually makes crystal sense.
The faceless man, the portrait painter who can't make a face materialise, it's just fog and it's probably himself, I think.
20 pages, 100 pages in, oh, my God, so much has happened and yet I'm still just in a car driving around with a guy and there are so many giant red flashing lights of metaphors and meanings and I loved it.
I loved the owl in the attic.
I loved the bell ringing from under the ground.
I loved the kind of crazy sliding around nature of the narrator's sanity.
I slate that down to the translators.
Yeah, they probably went, gee, is everyone going to understand the timing of these two events?
Maybe we should just spell it out a bit.
Yeah, and you get a bit of that when he's talking about opera and also other music and then certainly in the painting.
But the painting discussions I thought were brilliant.
I loved hearing, you know, an artist talking about his practice and what influences he'd had and the use of colour and the way he's analysing the painting, Killing Commendatore.
I just loved that.
Many artists say that is the hardest point.
And you mentioned earlier Manshiki's name, meaning...
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