Michael Dubin
๐ค SpeakerAppearances Over Time
Podcast Appearances
And then Ray stumbled onto this keyboard bass, and so we went with that.
And it kind of left a hole, more room for me to show off anyway.
We were playing the Fillmore, Avalon, and the guy Owsley who made all the LSD way back.
He came back and said, you guys got a hole in your sound.
You need a bass, something, you know.
And he left and I said to Ray, hey, if we're making the Acid King nervous, we're on to something.
I love L.A.
Woman.
I loved Strange Days, the second album, because we got relaxed in the studio.
We weren't worried about all this technology.
Oh, man.
All of them, Adam.
L.A.
Woman, the song, has a great groove.
And if I do say so.
Yeah.
And in the middle, Jim had this thing, Mr. Mojo Rising.
And I got mojo was a sexual term.
So I say, hey, let's slow it down and speed it up like an orgasm.
Right.