Mike Gibbons

So he the one of the first times they obviously the pilot was picked up they're doing in maybe there at some point in season one he He sees he has all the writers I go I want to meet all the writers So all the writers come down to the stage or whatever and he sees them and they're all these white Jewish guys and

And he's like, what the fuck?

He's like, we're doing Sanford and Son.

Like, are you kidding me?

And I was like, you got it.

We got to be more real than this.

You got to get some like black writers in here and all that stuff.

He's like, you got to fire them.

He's like, I'm sorry, but this is just wrong.

And I feel like a bit of like a Charlotte in here.

So anyway, so they hire, they try to find as much at that time, like as many ethnic and diverse writers as they can.

They do it.

They get the first draft of the next week's script and Red Fox reads it and he comes in and he puts the script down.

He's like, give me my Jews back.

I mean, things are getting... Listen, we've been saying it for years that no matter what your racket is, even if you're like in advertising, right?

Like if you're like...

Like our plus one, like Govans, like if you're a commercial actor, you used to get a national ad.

That could, if you lived modestly, that could be a year then of auditions and you could focus on becoming an actor and focus on your craft because you had a national ad.

Well, those no longer exist.

And in every business, the suits have figured out how to keep all the money.