Mona

Even going back to some of the rollouts that we talked about last year where it's like, let's see how it...

performs and then we'll mark it from there.

Yeah.

We're going to go to even.

I could have did that.

Oh, we're going to wait until your album comes out and then figure out what song is performing well and then we'll market that.

It was pretty interesting too.

I read an article that said the ASCAP's numbers went up fairly significantly last year.

Which means that ASCAP is a performing rights organization.

They collect money when your shit is played in radios and stadiums, basically non-record sales usage of music, not TV.

That's a different license.

And it went up, which is pretty interesting to me.

So that means more music is being played and monetized than it was last year, the year before, the year before.

Like, that's just really it.

I could totally see one of the major labels buying DistroKid also because why not?

Like, DistroKid essentially distributes your music.

It's an easy way.

So why wouldn't you, if you're a UMG or any of the major labels, buy that up and make money both ways?

Yeah, I could see a major label or another tech company.

I could see a Spotify or Apple or Tidal or whoever coming in to buy it because it's the same thing.