Nicola Tallent

Well, I mean, he's presented in...

a jail cell awaiting a verdict where he has gone on trial for murder.

So that is the absolute setting, the stage design is to present him as a criminal in a jail cell.

So what good would that do?

Because that would satisfy a group of the population who don't think he should be presented as anything or that this character has a role or should be

Spoken about.

Well, so except... So there is that, like there's... Yeah, so that... You just generally object to the fact that we're speaking about him, there's a play about him, there's anything about him.

Totally.

You just don't want him to exist, to be there or to earn interest from anyone.

It tells the story the way he tells the story.

It's quite similar to his narrative that he gave us here.

A lot of that is actually in it.

You can hear that.

What I was going to say earlier there was, I got totally sidetracked in my own pea brain.

So I was talking about the first run of it.

Yeah.

And it didn't get the publicity that this got.

It was on and people were not morally outraged.

And, you know, 120 of us or whatever per night went along and went to see it.

And there was no big headlines or moral outrage.