Owen Leiser

What makes this film so extraordinary is a technique which is almost perfection.

These two don't often come together in a director, you know, particularly in contemporary film.

But in him, they coincide almost perfectly.

I was 12 years old when Time for the Will was shown on German cinema.

I was fascinated and I felt fear.

One should not forget when Triumph of the Will was made in 1934, there had already been the boycott of all Jewish shops, lawyers, and doctors.

There had already been the establishment of certain concentration camps.

So somebody who makes a film for this party knows what he is glorifying.