Paul Williams

So actually, fun fact, David is not here for the recording of this podcast and all his dialogue has been added in post.

It's for realism.

That's what he'd say.

But I think you may as well, for that one in a million, and a million people will be watching this, a person who does have like a really top of the line boys surround sound system.

it's mainly that yeah have you done the music for it paul yes and no it was proving the deadline was too soon so i've split it with a wellington composer called stephen gallagher and then he's done all the sort of action and tense stuff and i've done all the sort of um transitional title you know soaring strings stuff yeah

It was really fun.

We went to Wellington.

Members of the New Zealand Symphony Orchestra recorded it in Peter Jackson's church, which he's turned into a recording studio.

And then the strings were actually recorded via Zoom.

They were in Budapest.

So shout out to Budapest.

Yeah, the mix was great.

I loved it.

I had one note, which was to get rid of a rooster who was like cock-a-doodle-doing at a distracting moment.

And I said, could we lose that?

And that was my sort of big note.

But obviously, no worries if you can't.

I totally understand.

It was 100% like that.

I was like...