Rob Holysz
speaker
66 appearances
1 recordings
1 series
first heard Feb 2025
last heard Feb 2025
Rob Holysz’s voice in public audio — every appearance, attributed to the second.
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Appearances
I think Joram panicked once it was teed up that he was going to tell a good story, and he told all of the parts out of order and not with any particular aplomb.
Can I take a stab at it, Jorm? Fine. It was my 20, let's say, second birthday. And I wanted to go to Medieval Times, and we all went as a big group. And the last thing I remember is Jorma in a princess hat that he stole from the gift shop, standing in the parking lot as slow traffic went out of the parking lot, screaming at the top of his lungs. Probably Azul as well. Azul!
It went from us being like, let's go to Evil Times. That'll be a lark to that image that I will never forget.
It would be like if they put him in the lineup with, like, four other guys, and they're like, okay, so who was it? And only one of them had a giant neon sign with the cord hang off stuffed under his jacket. It's honestly just that I think you should leave Sketch.
Yes. With a bullet, yes. One million percent. Like, there's no part of us that was like, Space Olympics is one of our best ones that we have to lead with. We were like, oh, shit. Well.
Well, that's an interesting thing for you to say specifically with me around after doing our pole vaulter bit this year.
The whole premise was that it was too late. Yeah, that was... Well, the whole premise was about his giant, giant, giant, giant dog.
Strained, weird singing. I will say Space Olympics was very much a solo joint. Yeah. Yeah, it was. It was. I love that beat. It's another Drew Campbell beat. And I immediately was like, I just love the melody of this and the futurism of it. I wrote, I think, a good deal of it before anyone even took a look at it, Keevan Yoram-wise. And I think it shows.
The one thing, looking back on it, that I really am shocked by and shocked that people don't have more of a problem with is there's like 30 to 40 seconds of vamping vocals at the top. Like, not even words. Yeah.
I mean, I know we talked about it at the time. I'm sure I played it and Akiva was like, seems like a lot of dead air at the top. And I was like, I know. I think that fact in like an anti-comedy way was funny to me. I don't think it's something we didn't think about.
In the world of music, I don't think this just applies to comedy music, being a late riser does not make you the least productive. Oh, no. I was on fucking fire during our making of this album. I came up with so many song ideas just sitting in there fucking around.
I was so geeked that we finally were getting to make an album. Yeah, it was a good time.
No, they're just now in the world. It's world building, really.
Oh, yeah. Had to. I mean, if it's so bad, Keeve, how come it's Phil Lord and Chris Miller and Seth Meyers' favorite digital short?
I was impressed with how many extra visual things you added, like the shot that is just emoting and performing that you made into a shot of him blocking tons of missiles that have nothing to do with the story.
I mean, there's a premise there. I think he would like it if it was twice as fast.
Just admit to me, finally, that you hate me and you hate this song. Just admit both.
Oh, yeah.
He's not going to listen to this.
Which one? The very end spaceship is a flat in front of a green screen. Ah, let me pull that in.
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