Rob Holysz

Oh, yeah. Had to. I mean, if it's so bad, Keeve, how come it's Phil Lord and Chris Miller and Seth Meyers' favorite digital short?

Oh, yeah. Had to. I mean, if it's so bad, Keeve, how come it's Phil Lord and Chris Miller and Seth Meyers' favorite digital short?

I was impressed with how many extra visual things you added, like the shot that is just emoting and performing that you made into a shot of him blocking tons of missiles that have nothing to do with the story.

I was impressed with how many extra visual things you added, like the shot that is just emoting and performing that you made into a shot of him blocking tons of missiles that have nothing to do with the story.

I was impressed with how many extra visual things you added, like the shot that is just emoting and performing that you made into a shot of him blocking tons of missiles that have nothing to do with the story.

I mean, there's a premise there. I think he would like it if it was twice as fast.

I mean, there's a premise there. I think he would like it if it was twice as fast.

I mean, there's a premise there. I think he would like it if it was twice as fast.

Just admit to me, finally, that you hate me and you hate this song. Just admit both.

Just admit to me, finally, that you hate me and you hate this song. Just admit both.

Just admit to me, finally, that you hate me and you hate this song. Just admit both.

Oh, yeah.

Oh, yeah.

Oh, yeah.

He's not going to listen to this.

He's not going to listen to this.

He's not going to listen to this.

Which one? The very end spaceship is a flat in front of a green screen. Ah, let me pull that in.

Which one? The very end spaceship is a flat in front of a green screen. Ah, let me pull that in.

Which one? The very end spaceship is a flat in front of a green screen. Ah, let me pull that in.