Robert Rodriguez

later so what's cool is their performances are so focused on each other because there's no other stimulus around that you got these great performances we only built the bar hey frank we'll build the bar so that you have we have a place to hang out with and uh you know do our story meetings but everything else will just be on the same you're going to come see the screen screen when you come visit my studio the whole movie was shot in an area let smaller than this room by the time you bring your lights in where the actors actually had the playground it's unbelievable wow

later so what's cool is their performances are so focused on each other because there's no other stimulus around that you got these great performances we only built the bar hey frank we'll build the bar so that you have we have a place to hang out with and uh you know do our story meetings but everything else will just be on the same you're going to come see the screen screen when you come visit my studio the whole movie was shot in an area let smaller than this room by the time you bring your lights in where the actors actually had the playground it's unbelievable wow

later so what's cool is their performances are so focused on each other because there's no other stimulus around that you got these great performances we only built the bar hey frank we'll build the bar so that you have we have a place to hang out with and uh you know do our story meetings but everything else will just be on the same you're going to come see the screen screen when you come visit my studio the whole movie was shot in an area let smaller than this room by the time you bring your lights in where the actors actually had the playground it's unbelievable wow

Yeah, 300 actually.

Yeah, 300 actually.

Yeah, 300 actually.

That called and said, how did you do that movie? I said, I just put on a DVD. I put all the secrets on there. And they went and they shot the same way. It was such a good movie.

That called and said, how did you do that movie? I said, I just put on a DVD. I put all the secrets on there. And they went and they shot the same way. It was such a good movie.

That called and said, how did you do that movie? I said, I just put on a DVD. I put all the secrets on there. And they went and they shot the same way. It was such a good movie.

No, I was there during it. I remember the studios were just like... we don't understand why this movie's big head. We don't have anything like this coming out except your movie, Desperado, maybe, because Quentin was in it. And I was like, yeah, yeah, we got our pulse on what people want. He was like, we don't know. So I got to tell you really two things.

No, I was there during it. I remember the studios were just like... we don't understand why this movie's big head. We don't have anything like this coming out except your movie, Desperado, maybe, because Quentin was in it. And I was like, yeah, yeah, we got our pulse on what people want. He was like, we don't know. So I got to tell you really two things.

No, I was there during it. I remember the studios were just like... we don't understand why this movie's big head. We don't have anything like this coming out except your movie, Desperado, maybe, because Quentin was in it. And I was like, yeah, yeah, we got our pulse on what people want. He was like, we don't know. So I got to tell you really two things.

First of all, George Lucas told me that, and he's like, I showed him the Sin City thing, because we'd both been early adopters of digital, and DP's, directors of photography, didn't want to even look at digital. They were like, They already spent all their time learning film. By sticking your head in the sand and not seeing where the times are going to the detriment.

First of all, George Lucas told me that, and he's like, I showed him the Sin City thing, because we'd both been early adopters of digital, and DP's, directors of photography, didn't want to even look at digital. They were like, They already spent all their time learning film. By sticking your head in the sand and not seeing where the times are going to the detriment.

First of all, George Lucas told me that, and he's like, I showed him the Sin City thing, because we'd both been early adopters of digital, and DP's, directors of photography, didn't want to even look at digital. They were like, They already spent all their time learning film. By sticking your head in the sand and not seeing where the times are going to the detriment.

Now the cameras are designed and they don't look as good as they could look. But they weren't a part of the conversation. Rob was shooting my own movies. I wasn't going to let some DP who didn't want to get in digital keep me from making Sin City, so I just shot it myself. I figured it out myself. So I showed it to Lucas. He was like, this movie will show people what digital is capable of.

Now the cameras are designed and they don't look as good as they could look. But they weren't a part of the conversation. Rob was shooting my own movies. I wasn't going to let some DP who didn't want to get in digital keep me from making Sin City, so I just shot it myself. I figured it out myself. So I showed it to Lucas. He was like, this movie will show people what digital is capable of.

Now the cameras are designed and they don't look as good as they could look. But they weren't a part of the conversation. Rob was shooting my own movies. I wasn't going to let some DP who didn't want to get in digital keep me from making Sin City, so I just shot it myself. I figured it out myself. So I showed it to Lucas. He was like, this movie will show people what digital is capable of.

Finally, more than the Star Wars movies I'm doing because it's just so avant-garde and so crazy looking. But I only made it for me. I really wanted to see it made. I didn't, I literally didn't think it would be successful on its theatrical run. In fact, we didn't even test screen it. They're like, can we do a test screen? I'm like, no. What for? Everybody's going to say it's black and white.

Finally, more than the Star Wars movies I'm doing because it's just so avant-garde and so crazy looking. But I only made it for me. I really wanted to see it made. I didn't, I literally didn't think it would be successful on its theatrical run. In fact, we didn't even test screen it. They're like, can we do a test screen? I'm like, no. What for? Everybody's going to say it's black and white.