Robert Rodriguez

He came out later in the 70s, so this is a great Frazetta story. Several of his paintings, when you see them, they're not very big a lot of times because they were for paperbacks, so they didn't have to be that big. But then there were some, like in the early 70s, that were big. Silver Warrior, Atheist Corps. And I asked Frazetta, I said... What was this era here?

He came out later in the 70s, so this is a great Frazetta story. Several of his paintings, when you see them, they're not very big a lot of times because they were for paperbacks, so they didn't have to be that big. But then there were some, like in the early 70s, that were big. Silver Warrior, Atheist Corps. And I asked Frazetta, I said... What was this era here?

He came out later in the 70s, so this is a great Frazetta story. Several of his paintings, when you see them, they're not very big a lot of times because they were for paperbacks, so they didn't have to be that big. But then there were some, like in the early 70s, that were big. Silver Warrior, Atheist Corps. And I asked Frazetta, I said... What was this era here?

Because a lot of these were in the 60s. What's these four bigger ones you did? What was that for? He goes, oh, they were saying I was washed up, that I was finished. It's because Boris Villarreal was coming out, and they're like, oh, he's the new Frazetta. So I did one, two, three, four beauties, shut them all up. That was so cool.

Because a lot of these were in the 60s. What's these four bigger ones you did? What was that for? He goes, oh, they were saying I was washed up, that I was finished. It's because Boris Villarreal was coming out, and they're like, oh, he's the new Frazetta. So I did one, two, three, four beauties, shut them all up. That was so cool.

Because a lot of these were in the 60s. What's these four bigger ones you did? What was that for? He goes, oh, they were saying I was washed up, that I was finished. It's because Boris Villarreal was coming out, and they're like, oh, he's the new Frazetta. So I did one, two, three, four beauties, shut them all up. That was so cool.

But you could, you know, I love his art, but you could almost feel the model in it. You could almost see that there was a model he was painting from.

But you could, you know, I love his art, but you could almost feel the model in it. You could almost see that there was a model he was painting from.

But you could, you know, I love his art, but you could almost feel the model in it. You could almost see that there was a model he was painting from.

I mean, he's doing the Frazetta style.

I mean, he's doing the Frazetta style.

I mean, he's doing the Frazetta style.

I mean, Frazetta was the Jimmy Page of arts. Everybody wanted to be him. Right, exactly. So you couldn't unsee Frazetta's work when you were doing your own work.

I mean, Frazetta was the Jimmy Page of arts. Everybody wanted to be him. Right, exactly. So you couldn't unsee Frazetta's work when you were doing your own work.

I mean, Frazetta was the Jimmy Page of arts. Everybody wanted to be him. Right, exactly. So you couldn't unsee Frazetta's work when you were doing your own work.

Yeah, he's doing Man-Ape again.

Yeah, he's doing Man-Ape again.

Yeah, he's doing Man-Ape again.

Like the one where he's crucified to the cross.

Like the one where he's crucified to the cross.