Ronny Chieng

Okay, sorry.

My bad.

And then, which was a great documentary.

And the photographer one.

The Stringer.

Yeah, I really did my research.

I watched all of them.

I just, the names escaped me.

I'm sorry.

I've borderline brain damage from...

from covering the news every single day.

But I mean, this is not your first rodeo.

And so like, as a critically acclaimed filmmaker, documentarian, how do you reconcile like this idea of like, you're there to, a documentary is,

kind of rooted in facts and what happened, but as a filmmaker, documentarian, you have to piece together a narrative for no other reason than story structure.

Like, how do you kind of reconcile that, story versus fact, you know, when you're producing?

I mean, for me, I'm not, like, a journalist like you, who has to deal with facts all the time, right?

Give us the Pulitzer Prize over here, because we've...

But, you know... We're really-we're really journalizing it up over... I made a joke about someone's dick in the first act, so that's...

That's how much journalism we're doing, I guess.

I mean, for me, it's about honesty more than it is about fact.