Rose Byrne

Interesting.

My agent is very discerning and she's only written a few times where she's like, you need to read this.

I devoured it and it was like fire.

This hot piece of paper was just ripping through and there was great symmetry in the script.

What is happening in front of Linda in many ways is happening.

How do I put this?

There's metaphors that are happening in her life that she can't see that are also happening in her work, that are happening in her relationship, that are happening in her home.

It skirts around existential stuff, which is...

Great.

And something I'm drawn to as a viewer.

And she's trying to escape.

You know, it's bad choices and bad decisions and this constant need of trying to escape.

But when I saw the film, I obviously knew the language Mary was using when we were filming it.

The camera was extremely close.

I was like, ooh.

Back up.

On the first day, I was like, are you going to be that close?

And she was like, I am.

But the visual storytelling is so arresting.

And I'm still figuring out the movie.