Rose Byrne

The weather's really bad, then.

He's very tan.

Did she read the script?

Oh, that's rad.

That's such a cool comment.

Well, the first day, the camera got closer and closer and closer.

It was right there, and I could hear it.

It's film, you know?

And I said to her, are you going to be that close?

That's how close we're going to be?

We'll just freeze it.

But I could, I could hear it.

So it was, it was cool.

I mean, it's just technical, right?

So just sort of adjusting for that and making sure we were always in dialogue.

Like, did you get this?

Did you get that?

Should I try one like this?

Try one like, you know, even though we'd had this great rehearsal period, her and I, but yeah.

that technical side of stuff you don't know until you're there right you've got to like figure it out and and understand it and get my sea legs with working with the camera department but um but i knew she was doing something you know what i mean i was like she's pulling something off here and the conceit of not which is not really a spoiler but the conceit of never seeing the daughter was also something she told me early on and i was like okay right so i knew she was crafting this language and this tension to tell this story in her you know vision her cinematic vision and it wasn't until i saw it that i was like