Sean Hayes

There you go.

Hold for a pause.

Thank you.

Thank you, Will.

Jesus Christ, that is a whole new level.

This is... Now, you know, but that brings me to Finch.

Finch seems like it's got some qualities.

I mean, if I was a hack studio executive, I'd say, it's Castaway meets Martian.

But what you need is a relatable everyman that is empathetic, sympathetic, can alpha and beta inside a page.

I mean, you are the man that can service all things.

It's so cool.

That's Bob.

Now, Tom, with all of your incredible set experience, was that what drew you?

Was it part of what drew you to the director's chair?

Just the effort to sort of streamline things because you knew probably more than a lot of the directors you may have been working with?

So since you have directed, when you do come to the set as an actor with an idea in your pocket, are you sensitive to that there might actually be a plan in place that that director and that crew has been working on for weeks and that your idea might disassemble the house of cards?

Right.

Yeah.

Is that desire to direct still burning in you or – I can't say that I have the instinctive powers of being a director.

Yeah.