Vincent Cunningham

The Catholic Church was made for this moment. I think 2,000 years ago, the Catholic Church basically anticipated TikTok, Instagram, X. You don't have those little Swiss guard outfits and think they're not being photographed. Oil painting is not enough.

The Catholic Church was made for this moment. I think 2,000 years ago, the Catholic Church basically anticipated TikTok, Instagram, X. You don't have those little Swiss guard outfits and think they're not being photographed. Oil painting is not enough.

The Catholic Church was made for this moment. I think 2,000 years ago, the Catholic Church basically anticipated TikTok, Instagram, X. You don't have those little Swiss guard outfits and think they're not being photographed. Oil painting is not enough.

I'm Vincent Cunningham. Join me and my co-hosts for an episode on what can only be described as Pope Week. New episodes of Critics at Large drop every Thursday. Find us wherever you get your podcasts.

I'm Vincent Cunningham. Join me and my co-hosts for an episode on what can only be described as Pope Week. New episodes of Critics at Large drop every Thursday. Find us wherever you get your podcasts.

I'm Vincent Cunningham. Join me and my co-hosts for an episode on what can only be described as Pope Week. New episodes of Critics at Large drop every Thursday. Find us wherever you get your podcasts.

This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.

This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.

This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker.

Four days a week, I would buy two cups of banana pudding. But the price has gone up, so now I only buy one.

Four days a week, I would buy two cups of banana pudding. But the price has gone up, so now I only buy one.

Four days a week, I would buy two cups of banana pudding. But the price has gone up, so now I only buy one.

The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker. Our theme music was composed and performed by Meryl Garbus of TuneArts, with additional music by Louis Mitchell and Jared Paul.

The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker. Our theme music was composed and performed by Meryl Garbus of TuneArts, with additional music by Louis Mitchell and Jared Paul.

The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker. Our theme music was composed and performed by Meryl Garbus of TuneArts, with additional music by Louis Mitchell and Jared Paul.

This episode was produced by Max Balton, Adam Howard, David Krasnow, Jeffrey Masters, Louis Mitchell, Jared Paul, and Ursula Sommer, with guidance from Emily Botin and assistance from Michael May, David Gable, Alex Barish, Victor Guan, and Alejandra Deckett.

This episode was produced by Max Balton, Adam Howard, David Krasnow, Jeffrey Masters, Louis Mitchell, Jared Paul, and Ursula Sommer, with guidance from Emily Botin and assistance from Michael May, David Gable, Alex Barish, Victor Guan, and Alejandra Deckett.

This episode was produced by Max Balton, Adam Howard, David Krasnow, Jeffrey Masters, Louis Mitchell, Jared Paul, and Ursula Sommer, with guidance from Emily Botin and assistance from Michael May, David Gable, Alex Barish, Victor Guan, and Alejandra Deckett.

The New Yorker Radio Hour is supported in part by the Cherena Endowment Fund.

The New Yorker Radio Hour is supported in part by the Cherena Endowment Fund.