Yomi Ṣode

We're stopping from doing that.

But not only that, but it's just like adding my own colloquialisms in there and seeing...

What can be done?

You know, even when I go to specific museums and I'm in conversations and they said, oh, what work are you doing right now?

I said, I'm looking into Caravaggio.

They look at me, they're like, huh?

Huh?

And then I just response, huh?

Because now it's awkward.

Because it's the idea that, you know, yes, I might be in my tracksuit and I'm wearing my beanie.

And yes, I can be looking into Caravaggio.

It's absolutely perfect that I can be looking into that.

And I think that for me, essentially, is ways that I will continue just to disrupt as much as I can, as well as kind of understanding the landscape in which I'm in.

It's ways to honour that in my truest voice as possible, you know?

The third section that looks into the process of us transitioning.

It was tough.

I remember one specific moment in that sequence, which is in a poem where I received the news.

My mum called me to say, we need to go to the hospice.

It seems like it's going to be today.

And I was on my way to work and I came off the call and I was crying.