孤舟微月对枫林,分付鸣筝与客心。岭色千重万重雨,断弦收与泪痕深。这首诗大约作于王昌龄晚年赴龙标(今湖南黔阳)贬所途中,写听筝乐而引起的感慨。首句写景,并列三个意象(孤舟、微月、枫林)。我国古典诗歌中,本有借月光写客愁的传统。而江上见月,月光与水光交辉,更易牵惹客子的愁情。王昌龄似乎特别偏爱这样的情景:“忆君遥在潇湘月,愁听清猿梦里长”(《送魏二》),“行到荆门向三峡,莫将孤月对猿愁”(《泸溪别人》),等等,都将客愁与江月联在一起。而“孤舟微月”也是写的这种意境,“愁”字未明点,是见于言外的。。。***感谢收听,欲听赏析文,请移步主播录制的「唐诗鉴赏辞典全文朗读」专辑***
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