New Music Friday: The best albums out July 31

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NPR Music 46 min 9 speakers 3 chapters transcribed 2 months ago
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Mara Liasson 0:00
This week on Consider This, stay ahead of the latest news about AI.
Stephen Thompson 0:04
We unpack the wild story of two models that hacked into another company, why some experts say it's a warning sign, and people with depression or anxiety are looking for help from chatbots. But that's not what they were designed for. We look at the risks. This week on Consider This, listen on the NPR app or wherever you get your podcasts. Happy Friday, everyone, from NPR Music. I'm Stephen Thompson here with Olive Komodo from KCRW in Los Angeles. Welcome to the show, Olive.
Olive Kimoto 0:36
Thank you. It's an honor to be here.
Stephen Thompson 0:37
It is a pleasure to have you. Every week, we tap a DJ from the NPR Music Network of public radio stations to discuss our favorite new releases. And today, July 31st. Ordinarily, we'd be talking about Ariana Grande and her new album, Petal, but we did not get copies. We have not heard it. We've only heard the one single, Hate That I Made You Love Me. So, Olive, I'm guessing you don't have that much to say about this record that you have not heard.
Olive Kimoto 1:05
I don't. They should have really prioritized NPR more.
Stephen Thompson 1:09
Yeah, I mean, this is going to be one of the biggest records left in the summer, certainly in the pop realm. I'm sure I'll be talking about it in my roundups of the Billboard charts because Ariana Grande knows how to make hits. But without the Ariana Grande record, we're going to explore some, I think, more unusual, maybe less pop-driven sounds. But there are some beautiful and fascinating and, in some cases, deeply strange sounds in this week's mix of records. We're going to kick things off with the Darude Column. The Darude Column's new album, first in 16 years, is called Renaissance. And I'm just as...
Ann Powers 2:08
I'll come out of an indoor wine room, sell to shoppers, shipboats, sales rules, apply to all the wild times that change, wave it, rave it, rock it, blow down it, and blast it. I still skip this expertise of hurling fuel, slippy heels, mid-heel, I do still wheelie, trucker, hacker,
Stephen Thompson 2:44
So the Darude Column, for those who don't know, is an English post-punk band formed in 1978. They put out their first album in 1980. But when I say post-punk, post-punk sometimes has implications that really do not apply to the Darude Column. The Darude Column makes... kind of warm, vibrant music that doesn't necessarily have like the hallmarks of what you think of when you think of post-punk, but just they go back all the way to 78 and they got a certain amount of press earlier this year because they were a big inspiration for the latest Harry Styles record, Kiss All The Time, Disco Occasionally. So it's kind of lovely that they have been able to seize on that kind of boomlet of interest with a record that I found so warm and so inviting and lovely.
Olive Kimoto 3:37
I've always been curious about the post-punk label as well. I feel like he almost has more in common with people like Brian Eno or even contemporary artists like ML Book. I just feel like a lot of his work is about impulse, over polishing, about negative space, and there's kind of this connectivity and human center that isn't always as present in other post-punk albums.
Stephen Thompson 3:57
Absolutely. I mean, I don't usually, when I'm taking notes on post-punk records, I'm not usually writing down words like pastoral. But these pieces are often very atmospheric. Sometimes they're even ambient. And, you know, you take a track like Your Shadow at Morning, and it is this kind of sweeping, languid song, and it has like flamenco guitars. There's such warmth and gentility to it.
music plays
Stephen Thompson 4:54
This band has a really interesting story. I mean, Vinnie Riley is the band leader. He plays guitar, sometimes plays piano, and occasionally does spoken word stuff here. And he has been a constant in this band going back to the very beginning. And he is late in his career. I mean, he's been doing this since the late 70s. He's had health challenges. He's had financial challenges. And there's just something about the weight of this band's legacy and where he is in his life that really make these songs feel so deeply felt and so wonderfully lived in.

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