Richard Diamond, Private Detective: The Blind Man and the Cop Killer 02/26/1950

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Choice Classic Radio Detectives | Old Time Radio 29 min 8 speakers 8 chapters transcribed 3 months ago
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What is the premise of 'The Blind Man and the Cop Killer'?

Choice Classic Radio Host 0:00
Welcome to Choice Classic Radio, where we bring to you the greatest old-time radio shows. Like us on Facebook, subscribe to us on YouTube, and thank you for donating at choiceclassicradio.com.
Choice Classic Radio
Dick Powell 0:37
The National Broadcasting Company presents Dick Powell as Richard Diamond, Private Detective.
Richard Diamond 0:50
Before I was a private detective, I was a cop. Homicide. Working out of the 5th Precinct. Homicide means murder. And there are a lot more murders committed in the big city than you think. More than make the headlines in the newspapers.

How does Richard Diamond's past as a cop influence his detective work?

Richard Diamond 1:04
And for everyone, there's the same impersonal routine, the same hard work, the same check and double check, with every cop in or out of uniform doing his best to put the case in the closed file. But there's one kind of murder that will really tear the department to pieces, and that's when a cop is killed in line of duty.
Dick Powell 1:22
Here's another exciting half hour with Richard Diamond, private detective, starring Dick Powell.
Richard Diamond 1:42
Diamond Detective Agency, if your husband's dead and you pull the trigger, Diamond will help, but the fee is bigger. Hello?
Helen Asher 1:49
Oh, Rick, what can I say?
Richard Diamond 1:51
Hello. Oh, no, that's nice. Now try hello, Rick.
Helen Asher 1:54
Hello, Rick.

What urgent matter does Pop Scholes need to discuss with Diamond?

Richard Diamond 1:55
Oh, dandy. Call back tomorrow and we'll start on hello, Rick. This is Helen.
Helen Asher 1:58
Oh, you idiot.
Richard Diamond 2:00
Hi, baby.
Helen Asher 2:00
Hi.
Richard Diamond 2:01
What's doing?
Helen Asher 2:02
Oh, I was just a little lonesome. Wanted to know if you were coming by tonight.
Richard Diamond 2:05
Oh, you know it. Should be there around eight.
Helen Asher 2:07
How about a little... Hey, Rick, what's that siren?
Richard Diamond 2:10
Is there a fire? Could be. Sounds like it's pulling right up here in front of my building. Wait a minute. I'll open the window. Honey, if this building caught on fire, I'd be Mr. Unquentine of 1950. Well, what is it? Ambulance.

What leads does Diamond uncover about Officer Walton's murder?

Richard Diamond 2:26
Oh. Oh, and here comes a prowl car. Must be a traffic accident or something. Well, thank goodness. Well, somebody probably playing in the traffic. Oh, Rick. Okay, okay. Some guy forgot to step down getting into his new Hudson. You know, I make remarks like that. I'm not trying to be... Oh, wait a minute. No combination, friend. Just turn the little old knob and push. Who is it? Somebody at the door. Well, Pop.
Helen Asher 2:53
What?
Richard Diamond 2:53
Pop Scholes.
Helen Asher 2:55
Oh, the nice old blind man who sells pencils on the corner.
Richard Diamond 2:57
Yeah. Hello, Pop.

How does Pop Scholes' past affect the investigation?

Pop Scholes 2:58
Please, Mr. Diamond, I've got to talk to you. I ain't got much time.
Richard Diamond 3:01
What does he want, Rick? Oh, to talk to me. I'll call you back, dear. Bye. I'm sorry to have bothered you, Mr. Diamond. Not at all, Pop. Not at all. What can I do for you?
Pop Scholes 3:08
I can't stay long. I have to hurry. But I was wondering if you'd come to my place later on. It's pretty important.
Richard Diamond 3:14
How important, Pop?
Pop Scholes 3:15
I can't explain now, but I got a big trouble. I sure could use some help for old time's sake.
Richard Diamond 3:20
Sure, for old time's sake. Where do you live, Pop?
Pop Scholes 3:23
Little shack on the waterfront end of River Street, 622 and a half.

What critical information does Mrs. Walker provide about the shooting?

Richard Diamond 3:26
When do you want me to come down?
Pop Scholes 3:27
About an hour. I gotta be going now.
Richard Diamond 3:30
Okay. Oh, wait a minute, Pop. Here, let me give you a hand.
Pop Scholes 3:35
Thanks. I could make it with this stick, but it takes time. I ain't got a lot of that.
Richard Diamond 3:41
Now, there you are, Pop. See you in an hour.
Pop Scholes 3:42
Thanks, Mr. Diamond.
Richard Diamond 3:44
Name's Rick.
Pop Scholes 3:45
Okay. See you in an hour, Rick.
Hmm.
Unknown 4:02
Miss Asher's resident.
Richard Diamond 4:03
Oh, hello, Francis. Mr. Diamond.
Pop Scholes 4:05
Oh, yes, sir.

How does Diamond plan to catch the killer?

Pop Scholes 4:06
I'll call Miss Asher right away.
Richard Diamond 4:08
Thank you. Rick. What? Oh, Walt. Mind if I sit down? No. What are you doing down here?
Unknown 4:17
Hello, Rick.
Richard Diamond 4:17
Hold the phone, honey. Came down on a homicide. Homicide? Oh, that squad car right in front of the... Right in front of your building, yes. Shooting. Well, what are you doing up here? I'd done all I could down there. Rick. Just a minute, baby. Thought you might want to hear about it. Bill Walton.

What is the outcome of Diamond's confrontation with Chick Russo?

Richard Diamond 4:31
What?
What?
Richard Diamond 4:32
Friend of yours, wasn't he? Yeah, a darn good one.
Helen Asher 4:34
Hello, Rick.
Richard Diamond 4:35
Somebody put three slugs in him.
Helen Asher 4:37
Rick, I can hear somebody talking. What's going on?
Richard Diamond 4:38
Oh, I'll call you back, baby.
Helen Asher 4:40
What?
Richard Diamond 4:40
Helen. Yeah. You know, I worked with Bill on a robbery for three years. Got any idea who did it? He left the robbery detail two years ago. Been with the narcotics division. Haven't checked with them yet, but he might have been working on something. Might give us a lead. You want to go down to the station with me?

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