"This work originates from a field recording captured in Madobag Village on the Mentawai Islands in Indonesia. In the recording, the sounds of children playing around an old well echo through the space. For me, this recording is not merely documentary material; it functions as a sonic memory that can transport me back to a particular moment and setting. It triggered my reflection on the gap between the fleeting serenity of travel and the pressures of daily life and became the starting point for the work’s narrative. "The piece unfolds around the tension between two acoustic worlds. The opening section extends the calm atmosphere of the island from the original soundscape, using soft drones and drifting textures to form a dreamlike space situated between the external environment and internal perception. It's not a literal dream but rather a sonic reimagining of how memories emerge and rearrange themselves during times of exhaustion or yearning. "The subsequent sonic rupture arising from the cold, piercing tones of phone alarms and everyday noise breaks apart this inner soundscape. This interruption not only signifies the collapse of the imagined space but also contrasts fond memories and apparent daily pressures. In the latter part of the piece, fragments of the field recording intertwine with real-world sounds, placing the listener in a blurred state between wakefulness and recollection, where attempts to re-enter the dreamlike space become increasingly unstable. "Ultimately, the work sustains an open, unresolved narrative tension, oscillating between memory and the present, desire and helplessness, and revealing how memory, longing, and soundscape continually shape one another." Indonesian village soundscape reimagined by Boyi Bai.

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