C.M. Mayo interviews Mary Bones, curator of the exhibit "The Lost Colony: Texas Regionalist Paintings," in the Museum of the Big Bend, Sul Ross State University, Alpine, Texas. The Lost Colony refers to the summer art colony at Sul Ross which began in 1932 and ended somewhat mysteriously in 1950. Alpine is 30 minutes northeast of Marfa-- right next door. Of the region, as Michael Duty writes in the introduction to the exhibit's catalog, "It... has long called to artists who have been captivated by its natural beauty, its history, and its people. In recent times, the area has also drawn the attention of writers and reporters who have written numerous articles touting the area's prominence as something of a center, albeit a far flung one, for contemporary art. Those articles focus primarily on Marfa and the influence that minimalist sculptor Donald Judd has had on the town..." Later, Duty adds, that Judd "was certainly not the first artist to be so captivated". Mary Bones explains the inspiration for the exhibit, and shares the stories about and friendships of some of the painters, in particular Texan Julius Woeltz and his teacher Xavier González, a native of Spain, both of whom made trips to Mexico City to study the Mexican muralists, including Diego Rivera and José Clemente Orozco. Some of the other painters discussed are Mabel Vandiver, Anna Keener, Elizabeth Keefer, Coreen Mary Spellman, Harry Anthony De Young, Beatrice Cuming, Otis Dozier, William Lester, James Swann, Ethel Edwards, Alice Reynolds, and Juanita Montgomery. Several of these paintings can be seen in the article by Mary Bones, "The Lost Colony: Texas Regionalist Paintings -Rediscovering an Artistic Past," Cenizo Journal, 4th Quarter 2011.> Transcript> MARFA MONDAYS PODCASTING PROJECT (ALL PODCASTS) > World Waiting for a Dream: A Turn in Far West Texas> C.M. Mayo's home page (books, articles, and more)

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