When Phone-Tapping Was Honourable | The Battle of The Nile (Part 3/10)

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Fin vs History 54 min 3 speakers 6 chapters transcribed 7 days ago
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Why did Napoleon decide to invade Egypt in 1798?

Fin Taylor 0:09
Welcome back to Finn vs. History. I'm joined by Horatio Gauls.
Unknown 0:13
Whoa
Horatio Gould 0:17
We have entered the Middle East. We're in Egypt. That was the siren call. That was a before woke uh historical epic set in the Middle East.
Fin Taylor 0:25
A nineteen sixties A nineteen sixties epic where, yes, you know, to today's eyes, the protagonist looks a rather bit blackface. Sure. A Royal Shakespeare company.
Horatio Gould 0:36
veteran, one of the great stage actors uh in the world will be blacking up to play a brown person. The white man will be using black paint to play someone who's brown.
Fin Taylor 0:46
They'll be browning up to play a black man because makeup was very sophisticated in those days. Yes, okay. Uh unsophisticated I meant. There was not the Dulux colour chart there is now.
Horatio Gould 0:55
Uh we are in Egypt. Well I don't think that's why people are judging the I don't think it's don't don't judge uh don't tell me what how I'm judging it.
Fin Taylor 1:03
I'm judging it on the sophistication of the
Horatio Gould 1:04
grade. It's more na it's not that now we've got a whole miracle of colours to black up in. Now you can really tell much more detail. Matt
Fin Taylor 1:15
Lucas, the sophistication of the Little Britain blackface. I could see the the border between Uganda and Kenya. I could see the border in Matt Lucas's blackface, you know. When I'm looking at precious from Come Fly With Me, I can see I'd say that's St Nevis. Kit St. Nevis. I'd fucking get to sleep, it's my SMR. Come fly with me. Because
Horatio Gould 1:36
obviously the little Briton lot Wallyum's getting getting his Todger out and whatever. Um allegedly. Allegedly, Lucas with the blackface. They got a bad rap, you know, and then we kind of went I was on a holiday, I know we went back to watch a bit of Come Fly with me. More to like laugh at it, but
Fin Taylor 1:52
you could check in with the scripture, check in with the camera.
Horatio Gould 1:59
But I was like, fuck me, that's funny.
Fin Taylor 2:01
I was really surprised. No, no one said it wasn't funny.
Horatio Gould 2:04
The performances. They're both because also Wallyams has always given me the cruise, but he he bodies it. No one's not. He's fucking both of them are dynamite.
Fin Taylor 2:11
No one no one says it's not funny. Yeah. Then
Horatio Gould 2:14
there's Japanese school girls. They they're it's fucking awesome. I'm gonna lie.
Fin Taylor 2:20
You know, if you have to got the BBC budget behind you, fucking do that. No, no, they're there's a talent there. There's there's talent. Oh, there's unbelievable uh being uh being um a white guy's pretending to be black. They're unbelievable at it. You know, I doff my blackface cap Uh Lucas and Williams. Yeah. Sages. Yeah. Uh however, um yes, we're in Egypt, sorry. Quick blackface tangent before the Battle of the Nile. We are in uh seventeen ninety eight. Oof. And it is our first meeting. It's the twenties. Napoleon and Nelson. Sort of. Sort of. Um trying to create narrative tension. Yeah.
Horatio Gould 2:59
This is
Fin Taylor 2:59
part three. I don't think I don't think there was.
Horatio Gould 3:03
I think there was 'cause the the fact that they well, the fact that they never met, I think the fact that you know, Nelson sort of crawling around in the moat.
Unknown 3:11
Mm-hmm.
Horatio Gould 3:12
And then n uh Napoleon's like a tiger walking around on land. There's just that there's a there's a kinetic sexual energy, don't you think, about them all just sort of and also the fact that Nelson's sort of chasing after him. Well, there's a bit of that. And it's like, Oh, who's behind me? Yeah. But Do you not find it really That there's there's a kind of there's a unspoken sexual tension there?
Fin Taylor 3:31
I don't think Napoleon had any sexual tension. I think he just busted him two seconds and that was it. Yeah and he just made people tense. Yeah. He would say the sexual tension here, they'd be like, No, no, no. Potting who were top. Nelson's top. Nelson's top. Absolutely.
Horatio Gould 3:46
Yes.
Fin Taylor 3:47
Nelson tops everyone.
Horatio Gould 3:49
Yes, but I'll tell you what, Nelson might bottom because Nelson, as much as he can think for himself, he is a subservient man who will bend for country.
Fin Taylor 3:59
King a king and a country.
Horatio Gould 4:00
You know, and Napoleon doesn't bend for anyone.
Fin Taylor 4:01
So he's gonna bend down and think of England. Bend over a think of
Horatio Gould 4:05
England. 'Cause as much as he's a a hero, he will bend when it comes to it. He lays down he
Fin Taylor 4:09
lays down his life, you know. You're right. I think it'd be fascinating because uh you know, Nelson would go for the would straight away just go the most direct thing.

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