Rewind with Karen & Georgia - Episode 30: The F*ck Word Murder Mystery Show
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with Capella University. Learn more at capella.edu.
I'm Millie DiCerico. I'm a film programmer, historian, and writer.
And I'm Casey O'Brien, podcast producer, filmmaker, and lover of movies.
And now we're teaming up on a brand new podcast called Dear Movies, I Love You.
We want to talk about all the movies we're crushing on, from hidden gems to blockbuster favorites.
Each week, Casey and I will have heated debates, give flawless recommendations, and talk about what's going on in cinema. Dear Movies, I Love You on Exactly Right is available right now. Listen every Tuesday wherever you get your podcasts.
The end. The End
Hello and welcome to Rewind with Karen and Georgia.
You see, every Wednesday we release one of our old shows, but there's a twist. We add all new commentary, updates, insights, everything, the lives we've led, the people we are, the people we've become, the whole story. We give it to you.
Today we're recapping episode 30, which for the first time in 29 episodes isn't named after the number pun. Thank you, Jesus. Yeah.
Phew. Thank God.
Called one of the greats. It's called the Fuckword Murder Mystery Show. Find out why by listening to this.
Stay tuned and you can find out why we named it that. And join us today as we take you back to August 18th, 2016. God, the summer of 2016. And now we can all be day one listeners together.
So let's listen to the intro of episode 30. Are you ready? Are you? I'm ready. Let's be really low energy this time.
Let's be as quiet as we can. Yes. Fuck, I screwed it up already. Yes! You want to be quiet? Yes! Yes! That's all I've ever wanted! Oh, God. Hi, welcome to My Favorite Murder. That's Georgia Hardstar. That's Karen Kilgariff.
The quietest. We're the quietest girls. We're so quiet. On podcast. Thanks for being here. It's like spending an hour with us. Thanks. Thinking about things with us.
Guys, there's so much going on in our world.
Not the least of which is how Georgia doesn't like stranger things.
There's someone at the door. They're here to hang you up from the highest limb of a tree.
I don't not like it. I have issues with it. Okay, let's hear it. Well, it reminds me, remember the old Stephen King movies that would be made of Stephen King books that would be on, that were made for TV, like thinner and how ridiculous they were. And if you guys say, what about true or pet cemetery, go back and watch it again. It's the corniest movie, but it would, that was a feature film, right? And there was some scary shit. Yes. I love that movie. But if you go back, you're like, Oh, this is so corny. It doesn't hold up. No. Um, and it reminds me kind of, of that, um, Stephen King, like made for TV movies, and maybe it's kind of supposed to. But I also just it reminded me of like someone who doesn't read sci fi made a show about sci fi. Yes.
And like, I feel like if it's the kind of movie where if someone who had read the book or watching it, which I know there's not a book, but if you were you'd be like,
Why the fuck did they leave this thing out?
This was the most important part. Like, I feel like I would have been screaming that if I had read the book.
Well, you know, I've found I I think because I like seeing I'm at that stage where that kind of nostalgia works on me because it's from when I was 10. Yeah. I love the look and feel, but that other stuff took me out of it. Well, and it's really hard to connect. This is, this is kind of like the Stephen King problem and like lost a lot of those things. When you get your big, good idea, that's going to freak people out and, and hook people in. And then you try to connect that with kind of believable science or something grounded. It's, it's very difficult to do. So it's like the upside down, right. Is what it was called. Like, but yeah, There was nothing. But the fact that you just kind of entered it through this weird, I mean, spoilers.
Yeah, and you could go get your, like, it just, yeah, there was a lot of, wait, what? In it for me.
If you can walk into it, then why does she have to go into the thing to get into it?
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