John Ganz on the Era When America Was Consumed by Panic With Corporate Japan

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Odd Lots 49 min 6 speakers 8 chapters transcribed 1 month ago
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Why does the episode compare today’s China anxiety to the 1980s‑1990s Japan panic?

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Joe Weisenthal 0:48
Hello and welcome to another episode of the Oddlots Podcast. I'm Jill Weisenthal.
Tracy Alloway 0:52
And I'm Tracy Alloway.
Joe Weisenthal 0:53
Tracy, here's something I've been thinking about with respect to China and all of the tensions with China, which is that it feels very elite, as in people in DC talk about it, people in obviously in finance and business talk about it. It does not strike me that in the broad And I I d I could be wrong, like my judgment could be off, but it does not strike me that in the broad public that there are a lot of people that it's top of mind for a lot of the public.
Tracy Alloway 1:22
Weirdly, I think it was probably more top of mind in the past, right? And the hollowing out of America's manufacturing sector. I mean, that argument is kind of what has given rise to a lot of the populist politics that we see nowadays, right?
Joe Weisenthal 1:36
Yeah, that's true. Right. During the China shock, there were a lot of people aware that their factories or the towns that depended on these uh factories were getting hollowed out, etcetera. But you know, there's so much China China China. It's not in the media, right? It's not like it or sorry, it's not in the movies. And I'm thinking of like Back to the Future Two was it, where The main character's dad lost his job and they had this scene when he was getting laid off by his Japanese boss, et cetera.
Tracy Alloway 2:05
Oh, you know what my favorite example of this is? Yeah. Die Hard. Yeah, of course. Best Christmas movie ever. But also the Nakatomi Corporation. Yeah.
Joe Weisenthal 2:14
Right. This was like a whole thing in pop culture. And it's just not at all. Maybe that has something to do with the fact that studios still wanna do they still distribute are American movies still getting wide distribution? Like for a while in China? Like 'cause for a while this was like a big story. Oh, are they not going to talk about certain things? This is partially why we
Tracy Alloway 2:31
have a bunch of superhero movies, by the way. Because they're just 'cause they play in international markets.
Joe Weisenthal 2:35
And they're not going to like offend anyone too much.
Tracy Alloway 2:38
Probably.
Joe Weisenthal 2:39
It just doesn't feel to me for that from like a pop culture standpoint that the threats from China, whatever they are, are like getting that much play.
Tracy Alloway 2:49
We need a good movie about China developing an AI chat bot that goes rogue and tries to take over the world. I think there was an AI plot in the last Mission Impossible or one of the recent ones. I haven't seen it. I don't know who developed the technology. Maybe it was China.
Joe Weisenthal 3:03
Uh it could have been. But anyway, like you said with Die Hard and there were several others. I think Michael Crichton had a book that talked about it. And certainly when I was younger, when I was like eleven or twelve and first became aware of the existence of the world around me. You know, the I remember I had a teacher who was like really scoldy about people who drove Japanese cars, for example. And she talked about how it's anti American. Yeah, how awful it was that there were people coming into our high school parking lot or whatever that drove Japanese cars.
Tracy Alloway 3:32
Destroying the fabric of America by purchasing a Toyota.
Joe Weisenthal 3:35
Yeah. Of course now, you know, buy Toyotas are made in the US, et cetera. No one talks like that with respect to Japan. But it's interesting thinking about like similarities and differences between our relationship with China today and our relationship with Japan in the eighties, late eighties, et cetera. When it seemed like that was going to be the economy that really sort of hollowed out what we There's a

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